PRINCIPLE—Balance: Asymmetry by Shape
Describing FORM: What is the specific communicative strategy? Where is it found?
Asymmetrical balance by shape is created when a complex shape is introduced to one side of the vertical plane amongst simpler or less complex shapes. Here, we have the removed jacket hung by the model’s hand that creates a complex, bunched-up, and organic shape. This contrasts with the model’s stiff and upright pose which creates a fairly solid and simple rectangular visage. The last distinct evidence of asymmetry by shape is the fact that if you remove the jacket from the piece, you would have a virtually symmetrical image.
Discussing CONTENT: What does it communicate?
I believe the purpose for introducing asymmetry into this piece is to provide a bit of unease. It heightens the interest of the subject. The sloppiness of the coat in contrast to the very upright model feels really punkish. As if to say “We’re not about neatness here.” It’s its own small revolution. The emphasis of the jacket being strewn halfway on the floor rather than, say, being tied around the waist is a very intentional expression of defiance, almost childish.
Image source:
http://www.undercoverism.com/collections/detail.php?cat=MENS&c=456&n=27
Jun Takahashi / UNDERCOVER
